Grooves Magazine: January, 1996 - "Q&A with Aimee Mann"
Billboard Magazine: January 6, 1996 - "Aimee Mann's Smart Pop Back On 'Stupid'"
Albany Times-Union: January 25, 1996 - "Aimee Mann to kick off tour"
Boston Globe: January 26, 1996 - "Mann's Moment: The Singer-Songwriter Siezes Her Day"
Toronto Star: January 27, 1996 - "Pop: Aimee Mann"
Daily News: January 30, 1996 - "Good Songs Are Her Best Revenge: 13 Tracks Prove Lucky Number For Aimee Mann"
Knight-Ridder/Tribune News Service: January 31, 1996 - "Singer-songwriter Mann was muted by inability to write a new record deal"
Pulse!: February, 1996 - "Life After New Wave: A former MTV queen rehabilitated into a singer-songwriter, Aimee Mann doesn't suffer fools-- she writes songs about them"
Boston Globe: February 1, 1996 - "Aimee Mann's Voice Still Carries"
Boston Herald: February 1, 1996 - "Mann changes her knock to rock in Hub"
Associated Press: February 2, 1996 - "Business Woes Almost Prompted Aimee Mann to Call It Quits"
Washington Post: February 2, 1996 - "It's a Mann's World"
Washington Post: February 2, 1996 - "Smart Pop Vocals of Mann's 'Stupid'"
Los Angeles Times: February 4, 1996 - "Aimee Mann is a Tough Customer..."
Los Angeles Times: February 4, 1996 - review of "I'm With Stupid"
San Francisco Chronicle: February 4, 1996 - "Q and A With Aimee Mann"
Christian Science Monitor: February 5, 1996 - "Aimee Mann Plays On Past 'Til Tuesday"
New York Times: February 5, 1996 - "Getting Even, in a Very Even Tone"
Chicago Tribune: February 8, 1996 - "I'm With Stupid review"
Montreal Gazette: February 10, 1996 - "Aimee Mann still won't make it: Cute, but not beautiful enough for the masses"
Rolling Stone: February 12, 1996 - "Q&A: Aimee Mann"
Chicago Tribune: February 14, 1996 - "Mann's Stinging Lyrics Invite Audience to Share Pain"
Tacoma News-Tribune: February 16, 1996 - "Aimee Mann Rebuilds Career On Tour 'With Stupid'"
Los Angeles Times: February 24, 1996 - "Mann's Stylized Concert Leaves No Room For Intimacy"
Riverside Press-Enterprise: February 24, 1996 - "Lively or sad, Mann sings with a 'different' lyricism"
Hollywood Reporter: February 26, 1996 - "Aimee Mann at the Roxy, West Hollywood"
Richmond Times-Dispatch: March 24, 1996 - "A Sweet-voiced, Smart, Sarcastic Survivor..."
Time Magazine: April 8, 1996 - "Her songs are captivating, but Aimee Mann is overlooked"
Daily Telegraph: April 18, 1996 - "The angry young women of rock"
Stereo Review: May, 1996 - "Aimee Mann: I'm With Stupid" review
The Independent: May 5, 1996 - "How We Met: Aimee Mann and Tony Banks"
Boston Globe: June 7, 1996 - "Sound Choices"
Pittsburgh Post-Gazette: June 29, 1996 - "Fame and Obscurity Both Tough, Says Mann"
Billboard Magazine: July 6, 1996 - "DGC's Mann Eyes Studio"
Knoxville News-Sentinel: December 29, 1996 - "Albums by Mann, Mellencamp, Crow make grade of great stuff"
Orange County Register: June 13, 1997 - "A new life for old music videos"
Riverside Press-Enterprise: July 27, 1997 - "Penn song is redolent of a Riverside crisis"
The Times: October 12, 1997 - "The spy we love"
The Independent: October 24, 1997 - "Pop music review: The David Arnold James Bond Project Shaken and Stirred"
Washington Post: January 8, 1998 - "You only hear twice: James Bond music revisited"
New Times Los Angeles: November 5, 1998 - "Night Club: Aimee Mann at Largo"
New York Times: December 21, 1998 - "A Major Merger Shakes Up the World of Rock"
Los Angeles Times: December 24, 1998 - "Pop music review: Benefit Concert is a Study in Light and Dark"